{"id":1290,"date":"2024-06-11T12:16:03","date_gmt":"2024-06-11T10:16:03","guid":{"rendered":"http:\/\/op-int-21.fr\/plateforme-numerique-wp\/?page_id=1290"},"modified":"2024-06-20T17:49:13","modified_gmt":"2024-06-20T15:49:13","slug":"le-hall-daccueil","status":"publish","type":"page","link":"https:\/\/plateforme-numerique.intranet-opera.fr\/?page_id=1290","title":{"rendered":"Le hall d'accueil"},"content":{"rendered":"

Une fois mont\u00e9 les marches et pass\u00e9 les colonnes corinthiennes, le public entre dans le hall d'accueil dont la d\u00e9coration a \u00e9t\u00e9 faite par Jean-Baptiste Plantar en 1928.<\/p>

De chaque c\u00f4t\u00e9s du hall se trouvent des bas-reliefs au-dessus des portes repr\u00e9sentant des all\u00e9gories de la musique (putti musiciens jouant de la fl\u00fbte, de la lyre, du cor ou des castagnettes). On peut observer \u00e9galement les blasons de la ville de Dijon et du Marquis Le Compasseur de Courtivron qui fut maire de la ville de 1821 \u00e0 1830 (le cr\u00e9quier, le compas et le chapiteau de colonnes), ainsi que sa devise : Cuncta ad amussim<\/em> signifiant \u00ab toute chose au cordeau \u00bb.<\/p>

L'espace est en grande partie \u00e9clair\u00e9 par un lustre en cristal de Murano (Venise) datant de 1970.<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

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\u00a9Mirco Magliocca<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Une fois mont\u00e9 les marches et pass\u00e9 les colonnes corinthiennes, le public entre dans le hall d’accueil dont la d\u00e9coration a \u00e9t\u00e9 faite par Jean-Baptiste Plantar en 1928.De chaque c\u00f4t\u00e9s du hall se trouvent des bas-reliefs au-dessus des portes repr\u00e9sentant des all\u00e9gories de la musique (putti musiciens jouant de la fl\u00fbte, de la lyre, du … <\/p>\n

Continuer la lecture de « Le hall d'accueil »<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1252,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1290","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/plateforme-numerique.intranet-opera.fr\/index.php?rest_route=\/wp\/v2\/pages\/1290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/plateforme-numerique.intranet-opera.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/plateforme-numerique.intranet-opera.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/plateforme-numerique.intranet-opera.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/plateforme-numerique.intranet-opera.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1290"}],"version-history":[{"count":8,"href":"https:\/\/plateforme-numerique.intranet-opera.fr\/index.php?rest_route=\/wp\/v2\/pages\/1290\/revisions"}],"predecessor-version":[{"id":1536,"href":"https:\/\/plateforme-numerique.intranet-opera.fr\/index.php?rest_route=\/wp\/v2\/pages\/1290\/revisions\/1536"}],"up":[{"embeddable":true,"href":"https:\/\/plateforme-numerique.intranet-opera.fr\/index.php?rest_route=\/wp\/v2\/pages\/1252"}],"wp:attachment":[{"href":"https:\/\/plateforme-numerique.intranet-opera.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}